Adsanatham, C., Garrett, B., & Matzke, A. (2013). Re-inventing digital delivery for multimodal composing: A theory and heuristic for composition pedagogy. Computers and Composition 30(4), 315-331.
Batten, R. (1931). A radio contract in English. The English Journal, 20(2), 158-160.
Besette, J. (2016). Audio, archives, and the affordance of listening in a pedagogy of 'difference'.Computers and Composition. 39(1), 71-82.
Campbell, M. (1937). This is station DHS.... The English Journal, 26(9), 754-755.
Carson, M. K. (1939). Students like radio writing. The English Journal, 28(6), 479-481.
Comstock, M., & Hocks, M. E. (2006). Voice in the cultural soundscape: Sonic literacy in composition
studies. Computers and Composition
Online. Retrieved from http://casit.bgsu.edu/cconline/comstock_hocks/index.htm
Dangler, D., McCorkle, B., & Barrow, T.
(2007). Expanding composition audiences with podcasting. Computers and Composition Online.
Retrieved from
http://casit.bgsu.edu/cconline/podcasting/index.htm
Herzberg, M. J. (1935) Tentative units in radio program appreciation. The English Journal, 24(7), 545-555
Higdon, M. (2016). Oral advocacy and vocal fry: The unseemly, sexist side of nonverbal persuasion. Legal Communication & Rhetoric: JALWD, 13. Retrieved from http://papers.ssrn.com/sol3/papers.cfm?abstract_id=2751866
Jones, L. A. (2010). Podcasting and
performativity: Multimodal invention in an advanced writing class. Composition Studies, 38(2),
75-91,146.
Mersand, J. (1938). Radio makes readers. The English Journal 27(6), 469-475.
Marcotte, A. (2015). The war on female voices is just another way of telling women to shut up. The Daily Dot. Retrieved from http://www.dailydot.com/via/vocal-fry-99-percent-invisible-womens-voices/
Nelson, D. E. (1939). Radio work at Hammond. The English Journal, 28(3), 228-230.
Newlin, J. (1933). Broadcasting. The English Journal, 22(8), 643-647.
Orndorff, B. (1939). English via the air waves. The English Journal, 28(8), 619-628.
Phillips, D. (1937). A unit on the use of radio. The English Journal, 26(1), 33-38.
Selfe, C. L. (2009). The movement of air, the
breath of meaning: Aurality and multimodal composing. College Composition and Communication, 60(4),
616-663.
Tyler, K. I. (1939). Recent developments in radio education. The English Journal, 28(3), 193-199.
This website was designed using Minimal CSS, which is licensed under an MIT License as part of the Open Source Initiative. All images used in this site are from the public domain.
Background music comes from the “Cartoon Music” collection of the 78 RPM and Cylinder Recordings section of the Open Source Audio Project, which is housed on the Internet Archive. Individual tracks include:
Green, P. (2009). “And they all lived happily ever after [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Bedtime story [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Clockwork clowns [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Dawn in Birdland [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Fred Karnos army [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. The giraffe [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Nellie the nudist queen [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). Skeleton in the cupboard [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
---. (2009). The tin dragoons [Audio file]. Internet Archive. Retrieved from https://archive.org/details/Q2_COMEDYCARTOON
Sound effects were downloaded from freesound.org, a collaborative database of Creative-Commons-licensed sound effects and music:
AdamWeeden.
(2012). Video Game - Die or Lose Life [Audio file]. Freesound. Retrieved from http://freesound.org/people/AdamWeeden/sounds/157218/
Daphne_in_Wonderland. (2011). Ding.wav [Audio file]. Freesound. Retrieved from https://www.freesound.org/people/Daphne_in_Wonderland/sounds/127149/
Earlcash05. (2015). Fast reverse vortex.wav [Audio file.] Freesound. Retrieved from https://www.freesound.org/people/earlcash05/sounds/280222/
Foolboy Media. (2014). Notification up II [Audio file]. Freesound. Retrieved from http://freesound.org/people/FoolBoyMedia/sounds/234563/
Halleck. (2007). Record_scratch_short.wav [Audio file]. Freesound. Retrieved from https://www.freesound.org/people/Halleck/sounds/29938/
Musicmasta1. (2011). CarStartSkikCrash.wav [Audio file]. Freesound. Retrieved from http://www.freesound.org/people/Timbre/sounds/83916/
Pishpirika. (2011). Radio AM search am [Audio file.] Freesound. Retrieved from https://www.freesound.org/people/pishpirika/sounds/117926/
Plingativator. (2013). jawharp_boing.wav [Audio file]. Freesound. Retrieved from https://www.freesound.org/people/plingativator/sounds/188869/
Timbre. (2009). Benboncan_Sad_Trombone_Tweaked.wav [Audio file]. Retrieved from http://www.freesound.org/people/Timbre/sounds/83916/
Timbre. (2012). Retro video game sweep [Audio file]. Freesound. Retrieved from http://freesound.org/people/Timbre/sounds/156522/
The piece was recorded, edited, and mixed in GarageBand 10.1.0 in Columbus, Ohio.